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东方武侠浮世绘人物志：成年黄蓉

Eastern Wuxia Ukiyo-e Character Portraits: Adult Huang Rong

将金庸文学人物的武学动作转化为动态浮世绘武者绘；默认呈现成年黄蓉与打狗棒法。主角面部身份绑定固定参考图，不借用影视演员或影视造型。准确题签为“黄蓉｜打狗棒法”。

东方武侠浮世绘人物志：成年黄蓉 — AI image creation
东方武侠浮世绘人物志：成年黄蓉

提示词 / Prompt

中文提示词

创作一幅 9:16 竖幅东方武侠浮世绘武者绘，主角为Adult Huang Rong / 成年黄蓉，定格在施展Dog-Beating Staff sweep into a turning finish / 打狗棒法横扫后旋身收势的关键瞬间。主角是成年女性侠客；面部身份只依据已配置的固定人物参考图，文学人物通过指定服饰、动作和环境呈现，不模仿任何影视演员脸、影视服装或影视剧美术。 让green bamboo staff, spiraling bamboo leaves and curved sleeves / 青竹棒、旋飞竹叶与弧线衣袖推动动作与构图。表现有力的身体转身，以兵器、衣袖和环境动态形成清楚的大斜线、S形流线与强透视。人物占据画面主要面积，衣袖或兵器可自然出框，同时保证面部、动作和兵器在缩略图中仍清楚可辨。 采用传统浮世绘武者绘与多色木版套色语言：有力量的黑色雕版轮廓、夸张透视、紧凑人物安排、饱满的大色面和可感知的手工印刷质感。允许轻微天然套色偏差，不做数字渐变。纹理按材质区分：皮肤用完整肤色色面和少量结构线，衣袍用长衣褶，头发、竹叶和风用有方向的线束，石面才使用较粗的刻纹。不要让所有表面都覆盖均匀点纹或短划纹。 场景设在rain-washed bamboo grove and distant stone steps / 雨后青竹林与远处石阶，背景信息密度低于人物，并为动作保留充足的暖象牙色纸面。使用bamboo green, slate blue, cinnabar, warm ivory and muted ochre / 竹青、石青、朱砂、暖象牙白与柔和赭色。以柔和的阴天漫射光和克制的前后景层次突出人物；纸面只保留轻微纤维，不加严重黄斑、破损或全局做旧滤镜。 在画面边缘安排传统纵向题签与小题识，按黄蓉｜打狗棒法准确写出“黄蓉”和“打狗棒法”，字形清楚易读，不添加其他文字。另加一至两枚无字朱印。不要现代大标题、编号或UI。成图应像同一套文学武侠人物志中的一幅版画，以武学动作而非装饰特效作为构图中心。 避免影视演员脸、影视剧造型、偶像式美颜、仙侠手游立绘、动漫感、3D或摄影质感、霓虹、魔法阵、过度特效、静态站姿、现代字体、均匀颗粒、随机裂纹、水印和额外文字。

English prompt

Create a 9:16 vertical Oriental wuxia character print featuring Adult Huang Rong / 成年黄蓉 at the decisive instant of Dog-Beating Staff sweep into a turning finish / 打狗棒法横扫后旋身收势. The main role is an adult female martial-arts hero. Use the configured identity reference for the face only; express the literary character through the specified clothing, action and setting. Do not imitate any film or television actor's face, costume, or screen production design. Use green bamboo staff, spiraling bamboo leaves and curved sleeves / 青竹棒、旋飞竹叶与弧线衣袖 to drive the action and composition. Show a forceful body turn, with the staff, sleeves and environmental motion forming clear large diagonals and an S-shaped flow with strong perspective. Let the character occupy most of the frame; a sleeve or staff may naturally extend beyond the border, while the face, action and staff remain legible at thumbnail size. Render the scene in traditional Ukiyo-e Musha-e and multicolor woodblock-print language: bold carved black contours, deliberately exaggerated perspective, compact figure placement, broad saturated color planes and a tactile hand-printed surface. Keep slight natural color-registration variation, not digital gradients. Use the material-specific marks: broad skin-tone planes with few structural lines, long robe folds, directional line bundles in hair, leaves and wind, and rougher cuts only on stone. Do not cover every surface with uniform dots or short strokes. Set the scene in rain-washed bamboo grove and distant stone steps / 雨后青竹林与远处石阶, quieter and less detailed than the figure, with generous warm ivory paper around the action. Use bamboo green, slate blue, cinnabar, warm ivory and muted ochre / 竹青、石青、朱砂、暖象牙白与柔和赭色. Suggest soft overcast daylight and restrained separation between figure and background; preserve the paper's light fibers without heavy stains, damage or a global aging filter. Place a traditional vertical label and small annotation at the edge, using exactly the Chinese text “黄蓉” and “打狗棒法” from 黄蓉｜打狗棒法; reproduce those characters cleanly and legibly, with no extra writing. Add one or two small vermilion seals without text. No modern headline, numbering or UI. The result should read as one print in a coherent literary wuxia character collection, with the martial move—not decorative effects—as the compositional center. Avoid actor likenesses, screen costumes, idol beauty styling, xianxia game art, anime, 3D or photographic rendering, neon, magic circles, excessive effects, static standing poses, modern typography, uniform grain, random cracks, watermarks and extra text.

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