OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
黑色留白中白袍剑客横向疾掠水墨概念画
Ink-Wash Concept Art of a White-Robed Swordsman Streaking Horizontally Through Black Negative Space
16:9超宽武侠概念画：成年东亚剑客从左侧疾掠，银色长剑横指右方，巨大白袍化作丝绸与水墨飞白拖尾，衬于近乎纯黑的高反差负空间中。
提示词 / Prompt
中文提示词
创作一张16:9超宽幅东方武侠概念画，融合中国水墨、厚涂油画、丝绸质感与干刷笔触。背景几乎完全为深黑、墨黑与极深青黑，形成辽阔纯黑负空间。 在画面左侧约三分之一处安排一名偏小的明确成年东亚剑客，面部身份匹配配置参考ref-10a-v1，同时保留成年剑客的角色与造型。他穿灰白、象牙白与旧白色宽大武侠长袍。捕捉他高速前冲、滑步的一瞬：身体明显前倾，头略低，视线避开镜头，神情冷峻。黑发高束，碎发向后飞扬。 他双手握一柄极长的东方长剑。剑身细长笔直，呈银白冷灰色，从手中向画面右侧近乎水平延伸，成为构图中最锐利明确的横向线条。主体重点是巨大且连续的白色袍摆、披风与裙摆高速拖向右侧，像白丝、水流或一笔拉长的水墨笔触。剑客近处保留真实布褶，向右逐渐转化为丝绸流线、干刷拖痕、半透明白色液态感、淡淡水雾和柔滑笔迹。颜色使用象牙白、灰白、珍珠白、浅灰及少量暖米白，局部厚涂与飞白，并让黑色背景从笔触间透出。最远端破散为白色墨丝、水痕、雾丝与飞扬颗粒。 画面最下方仅留一条很窄的灰白地面线或笔触；剑客仿佛掠过白色画布，袍摆末端自然融入地面。采用左上或右上侧光形成低调高反差：白袍为主要受光处，脸部仅有少量光，黑发几乎融入背景。突出孤身剑客、流动白袍、纯黑负空间、极长拖尾、丝绸般笔触、水墨与厚涂融合、横向长剑、强烈横向动势及电影感对比。不要文字、标志、水印或无关元素。
English prompt
Create a 16:9 ultra-wide Chinese wuxia concept painting that fuses Chinese ink wash, impasto oil painting, silk texture and dry-brush strokes. Keep the background almost entirely deep black, ink black and very deep cyan-black, forming a vast pure-black negative space. Place a relatively small, clearly adult East Asian swordsman around the left third of the frame, matching configured identity ref-10a-v1 while retaining the adult swordsman role and styling. He wears oversized gray-white, ivory-white and aged-white wuxia robes. Catch him in a high-speed forward rush and sliding step, body distinctly leaning forward, head slightly lowered, gaze away from camera and expression cold and stern. Tie black hair high with loose strands flying backward. He grips an exceptionally long Oriental longsword with both hands. The blade is slender and straight, silver-white cold gray, extending almost horizontally from his hands toward the right edge as the sharpest horizontal line in the composition. The dominant feature is an enormous continuous white robe/cape/skirt hem dragged rapidly to the right, like white silk, flowing water or one long ink-wash brushstroke. Preserve tangible fabric folds near the swordsman; farther right, let the fabric transform progressively into silk streamlines, dry-brush drag marks, translucent white liquid, faint water mist and smooth brushstroke trails. Use ivory, gray-white, pearl white, light gray and a small amount of warm beige-white, with localized impasto and flying-white feibai; let the black background show through. Shatter the far end into white ink threads, water marks, mist threads and scattered particles. At the very bottom allow only a narrow gray-white ground line or brushstroke; the swordsman seems to skim over a white canvas and the robe naturally merges into the ground. Use low-key high-contrast side lighting from upper left or upper right. The white robe receives most of the light, the face only a little, and black hair nearly merges into the background. Emphasize a lone swordsman in flowing white robes, pure black negative space, extremely long trailing cloth, silk-like brushwork, ink-wash/impasto fusion, horizontal sword, strong lateral motion and cinematic contrast. No text, logos, watermark or unrelated elements.
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