OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
现代东方纸纤维货币制度展览海报
Modern Eastern Paper Fiber Currency System Exhibition Poster
9:16 竖幅历史文化展览海报，以货币制度中的流通与记账为主题，将方孔圆环转化为大面积手工纸色域结构，并嵌入微型交换与记录场景。默认值取自来源提供的货币制度、流通、方孔和交换记账示例；日期与场馆留空，不虚构展览信息。
提示词 / Prompt
中文提示词
以用户上传的参考图作为主要可见人物的面部身份依据。在不与身份参考冲突的情况下，保留来源的场景、造型、服装、姿势、构图、光线和视觉风格。 【主题 / 展览名称】货币制度 【中文主标题】货币流转 【核心抽象概念】流通 【主色域（3–5 色）】深墨蓝、土金黄、克制的朱砂赭、暖象牙白 【主视觉结构】方孔圆环 【微型叙事（2–4 个真实行为）】交换与记账 【展览信息（日期 / 场馆，可选）】 【画幅比例】9:16 竖版 设计一张具有现代东方编辑美学的历史文化展览海报，以纸纤维、大色域和微场景为核心视觉语言。不要从普通古风场景出发；先提炼 流通，再用 方孔圆环 将概念直接转化为大面积纸本构图，让观众即使不读文字，也能从构图感受到主题逻辑。 用 深墨蓝、土金黄、克制的朱砂赭、暖象牙白 建立 3–6 个视觉重量明确的大型纸本色块。呈现真实的手工纸、水彩纸浆、矿物或植物颜料质感：可见天然长短纤维、纸浆颗粒、颜料沉积、大尺度自然浓淡、轻微压痕和不规则撕纸边缘。色面应完整、哑光、干净且有材料感；避免脏污、黄斑、强噪点、廉价复古效果和数字渐变。缩小到社交媒体信息流尺寸后，大色域仍须清晰可辨。 根据主题让色域旋转、穿插、拼接、产生尺度差异、互补、围合、分区或连续关系，不要只是把色块铺在背景上。构图要有明确的方法感：第一眼看懂大形，第二眼发现有趣的关系。适当保留暖象牙白负空间作为呼吸区，但负空间必须参与结构，不要为了极简而大面积空置。 将 交换与记账 嵌入大型纸色域。人物与器物总体约占画面 3%–6%；人物必须正在执行与主题直接相关的真实行为，不能只是站着摆拍。微场景可分布在不同色域节点，但不要做成四宫格、流程图或步骤卡片；应像隐藏在巨大抽象结构中的小故事。若未提供有来源依据的历史细节，就以概括方式表现行为，不要编造日期、事件或机构事实。微场景人物的面部身份按已配置的参考图绑定。人物服饰、器物和环境保持克制且与主题相关。不要为营造东方感而堆叠古建筑、祥云、飞鸟、花鸟、印章、毛笔字或传统纹样。仅可用极少量朱砂红、暖橙或旧金作为与内容真实相关的制度节点、记录标记或视觉焦点，总面积控制在 1%–3%。 文字采用现代博物馆、历史档案展或知识系统展览的东方编辑语言。将 货币流转 作为中文主标题，使用纤细端正、具有出版感的宋体、明朝体或现代中文字体，字号保持中小，不要压过大色域。使用准确英文“Currency System”作为较小的英文小标。仅在有提供时加入 ；该值为空时，省略日期与场馆，不显示占位符。海报尽量只保留三组文字：英文小标、中文主标题、可选的日期/场馆；不要加入长副标题、诗句、侧栏说明或无意义的英文填充词。确保文字清晰、拼写准确。 整体阅读顺序：大色域与抽象结构关系 → 核心概念 → 微型人物与真实行为 → 标题和展览信息。远看应有强烈的大形、色彩和构图记忆点；近看才显现纸纤维、人物动作、文化细节和知识逻辑，兼具材料质感、设计感与叙事感。严格保持 9:16 竖版。
English prompt
Use the uploaded reference image as the facial identity reference for the main visible person. Keep the source scene, styling, clothing, pose, composition, lighting and visual style unless they conflict with the identity reference. SUBJECT / EXHIBITION: Currency System CHINESE MAIN TITLE: 货币流转 CORE ABSTRACT CONCEPT: Circulation MAIN COLOR PALETTE (3–5 colors): deep ink blue, earth gold, restrained cinnabar ochre, warm ivory MAIN VISUAL STRUCTURE: a square-hole circular ring MICRO-NARRATIVE (2–4 real actions): exchange and bookkeeping OPTIONAL EXHIBITION DATE / VENUE: FORMAT: 9:16 vertical Design a historical and cultural exhibition poster in a modern Eastern editorial language. Build it from the core visual system of paper fiber, large color fields, and micro-scenes. Do not begin with a generic historical/ancient-style setting. First refine Circulation, then use a square-hole circular ring to turn that concept directly into a large paper-based composition. Make the composition communicate the theme's logic even before the text is read. Use deep ink blue, earth gold, restrained cinnabar ochre, warm ivory to establish 3–6 large paper color blocks with clear visual weight. Give them tactile handmade-paper, watercolor-pulp, mineral- or plant-pigment texture: visible natural long and short fibers, pulp particles, pigment deposits, broad natural tonal variation, slight indentations, and irregular torn edges. Keep surfaces complete, matte, clean, and materially rich; avoid dirt, yellow spots, strong noise, cheap vintage effects, and digital gradients. The large color fields must remain legible at social-feed size. Make the color fields rotate, interweave, stitch together, vary in scale, complement, enclose, partition, or continue according to the theme; do not merely place separate blocks on a background. Give the composition a clear visual method: immediately readable as a large form, with a more surprising relationship revealed on closer inspection. Reserve warm-ivory negative space as breathing room, but make that space participate in the structure rather than leaving a large area empty for minimalism. Embed exchange and bookkeeping in the large paper fields. Keep people and objects to approximately 3%–6% of the image. Show people actively performing real actions directly related to the theme, never merely posing. Small scenes may sit at different nodes in the color fields, but must not become a grid, flowchart, or step cards; they should read as small stories hidden within the large abstract structure. Bind depicted people to the configured identity reference. If no source-supported historical specifics are supplied, depict the actions generically and do not invent dates, events, or institutional facts. Keep clothing, objects, and surroundings restrained and relevant. Avoid stereotypical decorative accumulation of ancient buildings, auspicious clouds, birds, flowers, seals, brush calligraphy, or traditional patterns. Use only a tiny amount of cinnabar red, warm orange, or old gold as a content-linked institutional node, record mark, or focal accent, limited to 1%–3% of the image. Use the editorial typography of a modern museum, historical archive, or knowledge-systems exhibition. Set 货币流转 as the Chinese main title in a slender, upright, publication-quality Song/Ming-style or modern Chinese typeface at small-to-medium size; typography must not overpower the color fields. Include Currency System as a smaller English subheading. Add only when supplied; when it is empty, omit date and venue rather than showing a placeholder. Keep the poster to these three text groups only: English subheading, Chinese main title, and optional date/venue. Do not add long subtitles, poems, sidebars, or meaningless English filler. Keep all included text clear and correctly spelled. Reading order: large color fields and abstract structural relationship → core concept → miniature people performing real actions → title and exhibition information. From a distance, the poster should have memorable large shapes, color, and composition; only up close should paper fibers, human actions, cultural details, and knowledge logic become apparent. Balance material texture, design, and narrative. Preserve strict 9:16 vertical format.
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