OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image

手工纸艺构造与微缩叙事文化海报

Handmade Paper Art Constructions and Miniature Narrative Cultural Poster

可复用的9:16竖版文化活动海报模板，以可触摸的手工纸材、大色面与层叠结构建立视觉张力，并在占画面约3%–5%的微缩场景中呈现制作过程。主题、配色、纸艺结构、微场景、标题和可选活动信息均可编辑；排版克制，远观先读结构与色彩，近看再发现纸纤维、折痕、切口、人物与工具。

手工纸艺构造与微缩叙事文化海报 — AI image creation
手工纸艺构造与微缩叙事文化海报

提示词 / Prompt

中文提示词

主题：手工纸艺工作坊 主色调（2至4种）：深靛蓝、朱红、暖象牙白 纸张构造方法：分层剪纸开窗与深色取景框 微缩场景活动：在微型工作台上剪纸并整理纸样 海报标题：纸间造境（示例活动名） 可选活动详情：未提供（不显示详情文字）（当该值为“未提供（不显示详情文字）”时，省略详情行，绝不把占位文字印在画面中。） 纵横比：9:16。 使用具有触感的纯手工纸、大面积色块、结构化构图和微型叙事场景，创作一张精致的竖版文化海报。以分层剪纸开窗与深色取景框构建主要视觉，让纸张结构本身营造深度、节奏和视觉张力，而非依赖装饰性图形。 所有大面积纸张区域都呈现真实手工质感：可见纤维、纸浆变化、颜料吸收、细微压痕、不规则边缘和轻微材质瑕疵。表面保持哑光、干净且精致。色彩关系鲜明但受控；大色面从远处看清晰明确，较小的重叠、切口、阴影、折痕和纸张厚度则在近看时显现。 围绕手工纸艺工作坊加入一个微型场景，占海报约3%–5%，让它成为近看时才发现的细节，而非主体。场景中安排两到三名成年人自然地在微型工作台上剪纸并整理纸样，并让人物在姿势和位置上彼此区分。为这些可见人物使用已配置的 ref-10a-v1 固定身份参考；不要推断简报未提供的特征。 以宽裕的暖象牙白或中性负空间平衡大型结构形状。排版克制并处于次要位置：主标题使用精致的编辑风格衬线字体，辅助信息使用小型大写无衬线字体。将纸间造境（示例活动名）以较小字号放在构图中安静的区域。仅在提供未提供（不显示详情文字）时加入活动详情；占位默认值不得作为可见文案。 保持以下视觉阅读顺序：先读大面积纸张结构，再看色彩与材质互动，接着发现微缩场景，最后阅读标题和活动信息。成品应兼具现代感、触感、编辑感、建筑感与手工感。远看是有力的抽象构图；近看可发现纸纤维、切口、折痕、叠层、印刷肌理、微型人物、工具和制作过程。使用固定配置的 ref-10a-v1 图像作为可见成年人物的身份参考，同时让每个人物保持彼此区分。

English prompt

Theme: handmade paper arts workshop Main palette: deep indigo, vermilion, and warm ivory Paper-construction method: layered cut-paper apertures with dark framing Micro-scene activity: cutting paper and arranging paper samples at a miniature worktable Poster title: Paper in Motion (sample event title) Optional event details: not provided (when this value is "not provided", omit the detail line and never print the placeholder). Aspect ratio: 9:16. Create a refined vertical cultural poster using tactile handmade paper, large color fields, structural composition, and a tiny narrative scene. Build the main visual with layered cut-paper apertures with dark framing; let the paper structure itself create depth, rhythm, and visual tension rather than relying on decorative graphics. Give all large paper areas realistic handmade texture: visible fibers, pulp variation, pigment absorption, subtle pressure marks, irregular edges, and slight material imperfections. Keep surfaces matte, clean, and sophisticated. Use strong but controlled color relationships. Large color fields should read clearly from a distance; smaller overlaps, cut edges, shadows, folds, and paper thickness should emerge only up close. Add one small micro-scene related to handmade paper arts workshop, occupying about 3%–5% of the poster so it feels like a discovered detail rather than the main subject. Include two or three adult figures naturally performing cutting paper and arranging paper samples at a miniature worktable. Keep the figures distinct in pose and placement. Use configured ref-10a-v1 as their fixed identity reference; do not infer traits beyond the brief. Balance the large structural forms with generous warm-ivory or neutral negative space. Keep typography restrained and secondary: a refined editorial serif for the main title and small uppercase sans serif for supporting information. Set Paper in Motion (sample event title) relatively small in a quiet area. Include not provided only when supplied; never render a placeholder value as visible copy. Maintain this reading order: large paper structure first, color and material interaction second, micro-scene third, title and event information last. The result should feel contemporary, tactile, editorial, architectural, and handmade. From a distance it should read as a strong abstract composition; up close reveal paper fibers, cut edges, folds, overlaps, print texture, tiny people, tools, and process. Use the fixed configured ref-10a-v1 image reference for the visible adult figures; preserve each figure as a distinct person.

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