OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
照片重构复古纸张拼贴手绘插画海报
Photo Reconstruction Vintage Paper Collage Hand-Drawn Illustration Poster
来自 OpenNana 的图像提示词，已按本地图像分类和站点 gpt-image-2.5 归类整理。
提示词 / Prompt
中文提示词
请将我上传的每一张照片分别制作成一张独立的高级设计海报，不多图拼接，每张照片单独输出。整体采用3:4竖版构图，上下两个区域高度严格1:1，各占画面50%。 上半部分保留原始照片，保持主体身份、结构、姿态、真实质感、自然光影和原有色彩氛围，仅进行轻微高级调色，使其具有艺术杂志、独立出版物与展览图像质感。为适配画幅，可自然扩展环境背景，但不得拉伸、扭曲或改变主体。 下半部分先理解原照片最值得被记住的**核心主题、主体关系、结构走势、情绪气氛与视觉隐喻**，再重构为**复古纸张肌理粉彩手绘涂鸦插画**。整体仍保持**材料拼贴**的逻辑，但不要完整复制照片，也不要逐物转绘，而是删去无关细节，只保留最能代表原物的结构、走势和视觉记忆点，通过手绘涂鸦、纸张拼贴、粉彩蜡笔质感、稚拙造型与手账式重组重新概括，使画面经过理解与再创作后，仍能一眼识别与上方照片之间的对应关系。 造型采用**手绘涂鸦 + 纸张拼贴 + 粉彩蜡笔质感**的混合媒介逻辑。线条故意不规整，保留随笔、手画、轻微笨拙与松弛感；色块带有干涩颗粒边缘，像蜡笔、粉笔或色铅笔轻轻涂出的痕迹。主体及少量辅助元素可像贴纸、纸片或随手画的符号一样被重新组合，但始终围绕主体叙事，不做无意义堆砌。 构图保持**小尺度章印与大面积留白**的关系，根据主体自身的方向、比例和视觉重心自由安排位置，可偏心、贴边、悬置或局部裁切。主体与少量辅助元素形成清晰视觉落点，其余空间主动留空。**留白必须是有意识的构成语言，而不是空出来的背景**：它与主体、拼贴元素、文字和局部符号共同形成正负形、疏密、聚散与不对称平衡，构成明显的呼吸感、空间感与停顿感。宁可删减，也不要填满。 材质以**牛皮纸、再生纸或手工纸般的纸张肌理**为基础，保留真实材料感与轻微颗粒，降低数字感。整体像一本独立出版的手账、视觉日记或 scrapbook editorial illustration，而不是普通儿童插画或简单转绘。 配色从上方照片中提取**最有生命力、最有亲和力、最能代表画面精神的2–4种颜色**重新调制，转化为更柔和、明快、治愈的粉彩色组。可自然形成蜜桃粉、浅蓝、奶油黄、橙杏色、嫩绿等轻盈色彩关系，适度提亮、提纯、去灰，保持温暖、亲切、复古而有生活感。避免暗淡、灰脏、沉闷复古、荧光色和廉价糖果感。 文字只作极少量编辑性介入，不限制语种。可从主体、地点、动作、情绪、生活细节或隐喻中自由提炼少量字词或短句，采用**小型、克制、略带机械感与轻微错位的复古打字机式字体**，与插画共同形成手账式图文拼贴关系，安静地落在留白区域或主体边缘，不做商业标题堆砌。 整体呈现**手绘涂鸦、材料拼贴、粉彩蜡笔、纸张肌理、小尺度章印、大面积有意识留白与复古图文混排**共同构成的高级视觉效果。避免逐物转绘、画面填满、复杂背景、写实描摹、光滑矢量、3D感、廉价卡通感和模板化拼贴。
English prompt
Please turn each photo I upload into an independent high-end design poster, no multi-image stitching, each photo output separately. The overall composition uses a 3:4 vertical layout, the top and bottom areas are strictly 1:1 in height, each occupying 50% of the screen. The upper part retains the original photo, keeping the subject identity, structure, posture, real texture, natural light and shadow, and the original color atmosphere, with only slight high-end color grading to give it the texture of an art magazine, independent publication, or exhibition image. To adapt to the frame, the environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed. The lower part first understands the core theme, subject relationship, structural trend, emotional atmosphere, and visual metaphor worth remembering from the original photo, and then reconstructs it into a vintage paper texture pastel hand-drawn graffiti illustration. The overall logic still maintains material collage, but do not copy the photo completely, nor redraw it object by object; instead, delete irrelevant details, retaining only the structures, trends, and visual memory points that best represent the original object. Through hand-drawn graffiti, paper collage, pastel crayon texture, naive shapes, and scrapbook-style reorganization, re-summarize so that after understanding and re-creation, the image can still be recognized at a glance in its correspondence with the photo above. The styling uses a mixed media logic of hand-drawn graffiti + paper collage + pastel crayon texture. Lines are intentionally irregular, retaining the feeling of sketching, hand-drawing, slight clumsiness, and relaxation; color blocks have dry grainy edges, like traces lightly painted with crayons, pastels, or colored pencils. The main subject and a few auxiliary elements can be recombined like stickers, paper scraps, or hand-drawn symbols, but always revolve around the main narrative, without meaningless stacking. The composition maintains the relationship between small-scale stamps and large areas of whitespace, freely arranging positions based on the subject's own direction, proportion, and visual center of gravity, which can be eccentric, edge-aligned, suspended, or partially cropped. The main subject and a few auxiliary elements form clear visual focal points, while the rest of the space is actively left blank. Whitespace must be an intentional compositional language, not just an empty background: it works with the subject, collage elements, text, and local symbols to form positive and negative shapes, density, clustering and scattering, and asymmetric balance, constituting a clear sense of breathing, space, and pause. Better to delete than to fill up. The material is based on paper textures like kraft paper, recycled paper, or handmade paper, retaining the sense of real materials and slight grain to reduce the digital feel. The overall look is like an independently published scrapbook, visual diary, or scrapbook editorial illustration, rather than ordinary children's illustrations or simple redrawing. The color scheme extracts 2–4 colors from the photo above that are the most vital, most friendly, and most representative of the picture's spirit, then reformulates them into a softer, brighter, and more healing pastel color palette. This can naturally form light color relationships such as peach pink, light blue, cream yellow, orange apricot, and tender green, appropriately brightening, purifying, and removing gray, while maintaining a warm, intimate, vintage, and lived-in feel. Avoid dim, dirty gray, dull vintage, fluorescent colors, and cheap candy feelings. The text only involves a minimal amount of editorial intervention, with no language restriction. A few words or short phrases can be freely extracted from the subject, location, action, emotion, life details, or metaphors, using a small, restrained, slightly mechanical, and slightly misaligned vintage typewriter font, which forms a scrapbook-style graphic-text collage relationship with the illustration, quietly falling on the white space or the edge of the subject, without commercial title stacking. Overall presentation is a high-end visual effect composed of hand-drawn graffiti, material collage, pastel crayons, paper texture, small-scale stamps, large areas of intentional whitespace, and vintage graphic-text layout. Avoid object-by-object redrawing, filling the screen, complex backgrounds, realistic depiction, smooth vectors, 3D feel, cheap cartoon style, and templated collage.
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