OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image

七夕高级质感海报自我连接亲密关系视觉

Qixi Premium Poster: Self-Connection and Intimacy Visual

来自 OpenNana 的图像提示词，已按本地图像分类和站点 gpt-image-2.5 归类整理。 使用时需上传人物参考图；本流程使用统一参考人物生成示例。

七夕高级质感海报自我连接亲密关系视觉 — AI image creation
七夕高级质感海报自我连接亲密关系视觉

提示词 / Prompt

中文提示词

使用用户上传的参考图作为主要可见人物的面部身份参考；除非与身份参考冲突，否则保留来源的场景、造型、服装、姿势、构图、光线和视觉风格。 主题与格式：创作高级、轻盈、当代的七夕（QIXI）9:16竖版海报。七夕既是靠近他人的爱，也是安静地重新遇见自己、与自己和解、感受身体、时间、呼吸和日常美好。每张作品独立成立，不做拼贴、九宫格或传统节庆模板；共享亲密、连接、温柔、靠近和自我回归的精神，但不套用固定场景。 创作与场景：不要堆砌情人节符号，也不要缩减成单一神话。先用高级、克制的生活气氛吸引观者，再让其意识到这是七夕与连接。时间可为晨光、午后、傍晚、蓝调或夜间，地点可为室内、户外、半开放、自然、城市或生活方式空间；用植物、织物、光影、水面/玻璃反光、建筑、桌面、运动痕迹或小仪式建立记忆点。 关系与人物：每张选择一种结构：单人独处、呼吸、活动和感受生活的自我连接；两个人自然克制的陪伴；或以两处痕迹、物品、影子、位置和空间呼应暗示关系。人物可有可无；出现时可是一位或两位年轻亚洲成年人，自然松弛，不做影楼情侣写真。服装轻盈有质感，适合夏季或夏末初秋，可用白、米、浅灰、柔和绿、雾蓝和低饱和色。动作不要固定为拥抱、送花、牵手或对视，可是散步、骑行、游泳后休息、拉伸、看书、整理自己、喝水、晒太阳、吹风、发呆、休息、轻微互动或安静共处。 符号转译：把牛郎织女转为人与人或人与自己的靠近，把相会转为连接、同步和节奏，把鹊桥转为路径、光线、视线、反射或空间呼应，把织女的“织”转为织物、编织、层叠和身体与衣物的关系，把情人节转为陪伴、照顾、理解、温柔和自我接纳；不要直白画神话符号。 构图与质感：用空间、留白、细节和关系叙事；保留呼吸感，允许人物很小、局部裁切、近景、空景、前景遮挡和自然抓拍。可分别偏场景、人物情绪或物件细节。光线使用自然光或克制人造光，避免俗套霓虹和奇幻星空。采用低至中饱和的雾白、米白、浅灰、柔和绿、雾蓝、月光蓝、鼠尾草绿、浅卡其、炭灰、深靛蓝，少量珊瑚、浅金或轻橘点缀；避免婚庆红金、玫红和糖水粉紫。呈现编辑摄影或高级生活方式 campaign，保留真实皮肤、织物、植物、水光、玻璃、纸张质感和轻微胶片/印刷感，不过度锐化、磨皮或塑料化。 文字与差异：主标题为“七夕”或“QIXI”，只作极简情绪落款；副标题可为“先慢慢回到自己。”、“爱在安静里，也在自己身上。”或“Love begins by returning to yourself.”。位置、尺度和中英文组合随画面改变，不用传统节庆书法。生成3、6或9张时，必须改变有无人物、单人/双人关系、空间、活动、情绪、观看距离、光线时段、细节与空景比例、视觉重心和版式；统一来自七夕精神，不是重复同一场景骨架。 禁止：俗套情人节模板；爱心、玫瑰、礼盒或气球作主视觉；婚庆红金或甜腻风；卡通牛郎织女、直白鹊桥银河、古风神话复刻、影楼情侣摆拍；强迫所有作品出现情侣或夜景；空洞自爱鸡汤；无法感知情绪的过度抽象；过度概念化设计师海报；多张作品共用同一场景骨架。每张先是高级、轻盈、温柔的生活视觉，再表达当代七夕、陪伴、重新连接和回到自己的爱。

English prompt

Use the uploaded reference image as the facial identity reference for the main visible person. Preserve the source scene, styling, clothing, pose, composition, lighting, and visual style unless they conflict with that reference. THEME/FORMAT: Create a high-end, light, contemporary QIXI poster in 9:16 vertical format. Qixi is love moving toward another person and also meeting oneself again in silence, reconciling with oneself, and sensing body, time, breath, and ordinary beauty. Each work stands alone: no collage, nine-grid, or traditional festive template. Share intimacy, connection, gentleness, closeness, and returning to oneself, without a fixed scene. CREATIVE/SCENE: Do not pile up Valentine's symbols or reduce Qixi to one myth. First attract with a high-end, restrained lifestyle atmosphere, then reveal Qixi and connection. Time may be morning, afternoon, evening, blue hour, or night; place may be indoors, outdoors, semi-open, natural, urban, or lifestyle-oriented. Create a memory point through plants, fabric, light, shadow, water or glass reflection, architecture, tabletop detail, movement, or a small ritual. RELATIONSHIP/PEOPLE: Choose one structure per work: one person expressing self-connection through solitude, breathing, activity, and sensing life; two people in natural, restrained companionship; or an implied relationship shown by two traces, objects, shadows, positions, or spatial echoes. People are optional. If present, use one or two young Asian adults who feel real and relaxed, never a studio romance shoot. Use light, tactile summer or early-autumn clothing in white, cream, pale gray, soft green, mist blue, or muted natural colors. Do not fix the action as hugging, giving flowers, holding hands, or staring: use walking, cycling, post-swim rest, stretching, reading, grooming, drinking water, sun, breeze, daydreaming, resting, slight interaction, or quiet coexistence. SYMBOL TRANSLATION: Translate Cowherd and Weaver Girl into closeness between people or self; reunion into connection, synchronization, and rhythm; the magpie bridge into a path, light, sightline, reflection, or spatial echo; weaving into textiles, braiding, layering, and body/clothing relations; and Valentine's Day into companionship, care, understanding, gentleness, and self-acceptance. Do not draw mythic symbols literally. IMAGE LANGUAGE: Let space, whitespace, details, and relations carry the narrative. Keep breathing room; people may be small, cropped, close, distant, naturally captured, or foreground-obscured. Vary scene posters, emotional portraits, and object studies. Use natural or restrained artificial light, avoiding clichéd neon romance and fantasy star fields. Use low-to-medium saturation mist white, cream, pale gray, soft green, mist blue, moonlight blue, sage, khaki, charcoal, or deep indigo, with tiny coral, pale-gold, or light-orange accents. Avoid wedding red-gold, hot magenta, and candy pink-purple. Render editorial photography or a high-end lifestyle campaign with real skin, textile, plant, water, glass, paper, film, or print texture; avoid excessive sharpening, smoothing, and plastic AI gloss. TYPE/DIVERSITY: Main title is QIXI or 七夕, only a minimal emotional signature. Optional small subtitle: “先慢慢回到自己。”, “爱在安静里，也在自己身上。” or “Love begins by returning to yourself.” Change position, scale, and language mix; no traditional festival calligraphy. Across 3, 6, or 9 works, vary people, single/two-person relation, space, activity, emotion, viewing distance, light time, detail-to-wide ratio, visual center, and layout. Consistency comes from Qixi spirit, not a repeated scene skeleton. AVOID: clichéd Valentine's template; hearts, roses, gift boxes, or balloons as main visuals; wedding red-gold or sugary romance; cartoon Cowherd and Weaver Girl; literal magpie-bridge galaxy; ancient myth recreation; studio couple posing; forcing every work to contain a couple or night scene; empty self-love slogans; abstraction that hides emotion; over-conceptual designer posters; or multiple works sharing one scene skeleton. Each work should first feel like a high-end, light, gentle image of life, then express contemporary Qixi, companionship, reconnection, and learning to love and return to oneself.

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